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Rodney Milnes
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Rodney Milnes Blumer (26 July 1936 – 5 December 2015) was an English , , writer, translator and broadcaster, with a particular interest in opera.Rodney Milnes. The New Grove Dictionary of Opera. Macmillan, London and New York, 1997. He wrote under the professional name of Rodney Milnes.


Life and career
Milnes was born in , where his father was a surgeon. He learnt the piano as a child, to the level of playing the early Beethoven sonatas, and later recalled accompanying a fellow Oxford student in at the Holywell Music Room.Wheatcroft, Geoffrey. Rodney Milnes, 1936-2015. Opera, Vol 67 No 2, February 2016, p140-145.

Milnes attended and studied history at Christ Church, Oxford University. He was a member of the Oxford University Opera Club, taking part in The Fair Maid of Perth in 1955 (with among the first violins and David Lloyd-Jones in the chorus),Rodney remembered (letters). Letter from Mary Bamford with reference to Opera Club programmes. Opera, April 2016, Vol 67 No 4, p404/406. and Smetana's The Secret in 1956, which featured the debut of as Panna Róza, both conducted by . He also sang Ko-Ko in a concert performance during his Oxford days.

He undertook after Oxford, serving in the Education Corps in , and finishing with the rank of sergeant. The years also enabled him to hear opera around Germany. From then during the 1960s he worked in several publishers.

Milnes was the opera critic for Harpers and Queen (1970–90), opera critic of (1988–90), (1990–92), and Chief Opera Critic (1992–2002).Adam, Nicky (ed). Milnes, Rodney. In: Who's Who in British Opera. Scolar Press, Aldershot, 1993. He was associate editor of Opera from 1976, deputy editor from 1984, and editor between 1986–99. There he honed his reputation as a "trenchant and entertaining writer, with a strong background in literature and theatre, and wide musical sympathies". In his final editorial for Opera, Milnes wrote:

: "Thank you to all of those who have written in outrage cancelling their subscriptions, and then not done so. Thank you to all readers for being so patient with my bêtes noires. I know I’m wrong about (like hell I am) and they’re here to stay. So are sponsors and their lordly, impertinent ways. Call me old-fashioned, but I don’t really feel that a century that starts with and ends with Chris Smith is one that has seen a lot in the way of progress".Editorial "Ring in the new". Opera, December 1999, p1387.

Milnes translated opera librettos under his original name, including Rusalka, , Osud, Don Chischiotte, Pollicino, Undine, Giovanna d'Arco, Die drei Pintos and Tannhäuser.

Milnes contributed entries on and his operas in the Grove Dictionary of Music and Musicians. He was consultant editor for the Viking Opera Guide, and revised and updated A Concise History of Opera in 1987. He was a contributor to Opera on Record Vol 1 ( ), Vol 2 ( Thaïs and ) and Vol 3 (The stage works of ).

For he was a regular contributor to the Building a Library feature in Record Review; in Just the part Radio listings for Just the Part series Accessed 29 May 2011 and In Repertory Radio listings for In repertory series Accessed 29 May 2011 he talked to opera singers about particular roles they have made their own, and in 2001 introduced a 14-part series Performing .

Milnes was a Knight of the Order of the White Rose; in January 2002 he was awarded an OBE for services to journalism and music. He spent his final years in Gloucestershire to live near his sister. He was unmarried.


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